María Fernanda

Norma Elia Cantú Award in Creative Writing ┃Hurston/Wright Foundation Poetry Finalist Award┃The Andrea K. Willison Poetry Prize ┃Two-Time Best of the Net Nominee

Available for Booking

María Fernanda makes the words on the page breathe. Her command of language and poetic structure gave us permission to explore and reflect deeply on what we want to create and say. Expressive, engaging, and dynamic…Absolutely magical.

— So You! workshop participant

About María Fernanda

María Fernanda (she/hers) is a poet whose work explores the intimacy of sisterhood, the anchor of intergenerational coexistence, and grief.

In February 2025, as part of Best of D.C. 2024, The Washington City Paper recognized the DC Public Library at Mount Pleasant as the runner up for Best Library Branch of 2024, where María Fernanda programmed four poetry programs (seven events), resulting in nearly 60% of their overall poetry programming.

  • María Fernanda Chamorro (she/hers) is an award-winning poet and a creative producer with prize-winning collaborations. Awarded the Norma Elia Cantú Award in Creative Writing, her poetry explores the intimacy of sisterhood, the anchor of intergenerational coexistence, and grief. María Fernanda is a recipient of literary appointments from The National Endowment for the Arts, The Academy of American Poets, The Arizona Commission on the Arts, and the DC Commission on the Arts and Humanities.

    María Fernanda is a program partner at the District of Columbia Public Library, a program specialist for The Parkmont Poetry Festival, and an instructor at The Writer’s Center, Politics & Prose, and the American Poetry Museum.  

    In February 2025, she is the first poet to present at Brookings Institution, a global think tank that conducts in-depth, nonpartisan research to improve policy and governance at local, national, and global levels.

    She is a two-time Best of the Net Nominee. Her latest work appears in The Hill Rag, The BreakBeat Poets Vol. 4, Cave Canem: Dogbytes, and Cheryl Clarke's born in a bed of good lessons: poems inspired by the works of Lucille Clifton. María Fernanda is a published contributor of The Library of Congress.

    She is the founder and executive producer of the independent interview series a poetry garden, where Black poets and gardeners discuss their creative and historical connections to gardens.  

    María Fernanda served as The Academy of American Poets Poetry Coalition Fellow, Scholastic Art and Writing Awards Judge for New York City Writing, The Black Artists and Designers Association Secondary Advisor at Arizona State University, and a guest speaker for Lincoln Center Education as an Artist in the Industry. María Fernanda performs her poetry across the United States, including The John F. Kennedy Center for the Performing Arts, Lincoln Center for the Performing Arts, , The Brooklyn Museum, Arizona’s Phoenix Art Museum, MoMa PS1, Texas' Denton Black Film Festival, and more. MacArthur Genius Award grantee Terrance Hayes selected her work as a finalist for the Hurston/Wright Amistad Award for College Writers in Poetry.

    María Fernanda often reads poetry in service of locally-rooted national initiatives and conversations, including The Bronx is Reading’s The Bronx Book Festival, #PoetsforPuertoRico, The Rainbow Book Fair, #MeTooMovement Freelancers Hub, DC’s Youth Leadership Foundation, and others.

    As part of 2024 Best of D.C., TheWashington City Paper recognized the DCPL Mount Pleasant location as a second runner up in Best Library Branch of 2024 where María Fernanda programmed four poetry programs as part of their offerings, resulting in nearly 60% of their overall poetry programming.

  • Three Literary Components

    Participants leave literary experiences facilitated by María Fernanda with additional techniques to support their writing practice, as individuals, and when part of a collective.

    • Creativity

    Each experience is crafted to encourage your intuitive choices. Historical contextualization will ground the direction of the lesson in an effort to inspire imagination.

    • Generation

    Creating new work is a core component. The structure ignites unique ways to begin writing both in and out of the collective literary experience.

    • Revision

    Finding the best editing process for your current project is crucial. Several serial studio sessions include one-on-one sessions with María Fernanda to focus on your work.

  • María Fernanda’s care and stewardship of this production was truly masterful.

    — Executive Client at the Park Avenue Armory

    María Fernanda (she/hers) is an inter/national producer and programmer who partners with performing arts centers, national literary initiatives, museums, public libraries, bookstores, and more to support their programming and cultural landscapes.

    Specializing as a creative producer for the performing arts, María Fernanda’s expertise is in producing venue-wide live productions (3k+ attendees), commissioning new work, dispatch, developing residencies for both individuals and groups (70+), and extensive artist contract management. The COVID-19 pandemic heightened her research in virtual stages and producing multi-day events on various platforms.

    Producer credits include: Assistant Producer, Soundtrack of America (Quincy Jones, Maureen Mahon, Jon Batiste, Steve McQueen); Producer, Jacqueline and Jason’s Block Party! (Jacqueline Woodson), Production Asst Misc. (Patti LuPone; André 3000; Common; Black Thought); Company Manager, Reach Opening Festival, (Sister Nancy, more).

    María Fernanda is the founder of Black Producers Network (est. 2021), a collective that builds preparatory and responsive resources for independent producers across the globe, including Los Angeles, New York, Monrovia (Liberia ), Accra (Ghana), and more. New season of offerings debuts in 2026.

Works

Publications

Speeches

  • María Fernanda on Safiya Sinclair

    Safiya Sinclair’s poetry collection Cannibal opens, “Have I forgotten it—”. There, the em dash appears to exemplify what forgetting may even look and feel like: our immediate consciousness squeezed into a flatness in order to survive our surroundings of continued colonization. The reader finds it is not a flatness. It is one small mixing a part of an expansive, strong palette. A painter’s motion to continue, to create a new color, a new depth. Continue reading here.

  • Welcome to the Margaret Mead Film Festival

    Thank you to Indigo, Megan and the entire team of the American Museum of National History for organizing this amazing festival. Thank you to filmmaker Tessa Leuwsha for this incredible film. We are celebrating her film’s U.S. debut!

    My name is María Fernanda (she/hers). I will warm us up with a few questions and then open the floor for a brief Q&A.

    Tessa and I want to give you more context about this country before we begin this discussion. First, the New York we know would not exist without Suriname. It was ceded to the Dutch by England in 1667 in exchange for a piece of North America that included what would later become New York City.

    Suriname is right above Brazil between Guyana and French Guiana. Next to Guyana is Venezuela.

    While Dutch is the primary language, people speak Sranan, Tongo, Hindustan, Javanese, and more.

    [...]

  • “Narrative is radical, creating us at the very moment it is being created.” — Toni Morrison.

    Her words remain true in film director Tessa Leuwsha’s work this evening.

    Mother Suriname, Mama Sranan threads a monologue loosely-based on Leuwsha’s own grandmother. The writing is further brought to life using real archival images and a stunning narration voiced by Black Dutch jazz singer Denise Jannah. [...]

    [María Fernanda delivered opening remarks following The U.S. Embassy of Suriname and before the premiere of the Leuwsha's archival film.]

Experiences

  • Creativity

    Each experience is crafted to encourage your intuitive choices. Historical contextualization will ground the direction of the lesson in an effort to inspire imagination.

    Generation

    Creating new work is a core component. The structure ignites unique ways to begin writing both in and out of the collective literary experience.

    Revision

    Finding the best editing process for your current project is crucial. Several serial studio sessions include one-on-one sessions with María Fernanda to focus on your work.

    Experiences with these components may find their form as:

  • a poetry garden

    Join Black poets and gardeners as they discuss their creative and historic connections to the gardens in our community. Each guest speaker lives and creates work within ten miles of the event’s location. To increase the collective exchange between the speakers and our beloved community, a seed discussion precedes the presentations.

    A seed discussion, developed by executive producer María Fernanda, is a brief ten-minute conversation open to the audience.

    More programming launched by María Fernanda:

    honoring nikki giovanni in the District

    the clear water series

    Public Readings

    Lectures

    Poetry Field Trips (Request One Pager here)

    Middle School Public Readings Tours

    In-school Poetry Workshops

  • Participants from María Fernanda’s collective literary experience share their reflections:

    The Nikki Giovanni tribute this Sunday blew me away. The people brought together—as featured guests and audience members—and the poems themselves...I am still riding on the joy of it all! We need spaces like that in these times, so thank you for doing such important cultural work.

    This is Your Poem: A Tribute to Nikki Giovanni event attendee

    María Fernanda is a fantastic writing instructor. Her warmth and dedication to craft and to us were genuine and deeply felt. She created a safe and comfortable place for us to experiment with completely new forms. The conference we had together was one of the best one-on-one sessions I’ve had in ages. Balancing critique and praise in words that one can really comprehend and use, is a difficult concept to master. She did this brilliantly and motivated me to work on my revision. […] Since publishing my book in 2012, I thought I had said everything I wanted to say […]. But now, after being in this workshop, I am fascinated by the Zuihitsu form and am ready to keep going!

    Break a Vase participant, established writer

    Maria Fernanda is a dynamic facilitator with tons of artistic knowledge that she shares generously, in a truly engaging and inspiring way.  She provides very unique and powerful learning opportunities where individual growth and community connections are quickly forged.

    Assemblage participant

    I would have liked the class to be another week or more. It was so much fun.

    Years That Ask participant in a four-week course

    The warm and welcoming energy allowed me to feel comfortable participating alongside more experienced poets.

    Reading Lucille Clifton Through a Desert Lens participant, beginner

    My favorite part was learning new things, working with new materials [to make a broadside by hand] and reading the poems provided.

    New Language participant

    I've always been afraid of writing about certain topics. When I saw what Break a Vase was all about, it was a sign. Working with María Fernanda in this workshop has helped me to finally work through the feedback that I had received when I wrote about these topics. For me, workshops are like chains of insight that build upon each other if the poet does the work in-between sessions. [...] I am so highly appreciative of what I have learned from María Fernanda. I am set to go to California College of the Arts to get an MFA in Creative Writing. My concentration is Prose, but this workshop has made me think of the possibilities of poetry, in many forms.

    Break a Vase participant

    I thoroughly enjoyed María Fernanda’s class. I loved its dynamism. I was not expecting so much interaction and participation from the very get go! I enjoyed the opportunity to create and explore on the spot and to hear other people's voices and ideas. I appreciate María Fernanda’s professionalism and her firm boundaries. Her rich knowledge and poetic spirit shined through in her comments, explanations and examples. Thank you. I particularly liked how María Fernanda had music playing at the beginning of the very first class, it set a relaxed vibe. I felt like I could've been sitting in a cafe or comfy arts space. Thank you. It was a pleasure to meet María Fernanda and work with her. I hope to have this opportunity again in the future.

    Break a Vase participant

    I appreciated the collaborative exercise, the use of technology to facilitate engagement (breakout rooms, slideshow photos as writing prompts), and the 1:1 meeting to review the course assignment. I appreciated the peer review and the opportunity to receive feedback on my work.

    Break a Vase participant

    I really enjoyed the course, and look forward to future courses. The virtual nature allowed me to participate in ways that I would not have been able to prior.

    Break a Vase participant

    María Fernanda was an outstanding instructor. She quickly developed a warm and welcoming atmosphere allowing us to experiment freely with a new poetic form. Her knowledge of the subject and ability to maintain the excitement for the topic was excellent.

    Break a Vase participant

    Thank you, María Fernanda, for the excellent class. My writing got a huge boost. I’ve written several poems during the class and they all surprised me. I love that!

    Years That Ask participant

    It as really well balanced from the reading writing and someone’s work from out there

    Years That Ask participant

    Thank you so much I’ve grown now I can feel all the work that I have head of me.

    Years That Ask participant

    I’ve been taking notecards and I feel totally unstuck learning about different forms.

    Years That Ask participant

    I don't typically write poetry but I have felt so stuck lately that I wanted to try something different—to write differently. And I loved it. I love Lucille Clifton.

    Reading Lucille Clifton Through a Desert Lens participant

    María Fernanda makes the words on the page breathe. Her command of language and poetic structure gave us permission to explore and reflect deeply on what we wanted to create and say. Expressive, engaging, and dynamic…Absolutely magical.

    — So You! workshop participant

Book María Fernanda

Hear from audience members, workshop participants, and more!

Unsure of Where to Start?

Contact María Fernanda for a FREE 15-minute informational call. We will discuss your project and learn how a poet may enhance your initiative. Contact here.

Themes

“María Fernanda’s activism and artwork offers various insights into the question of justice. It was important to me to gather a group of writers whose craft extends to multiple genres, and who are active literary citizens.”

— Maya Marshall, Haymarket Books for Denton Record-Chronicle

  • Love

  • Sisterhood

  • Body Image

  • Community / Intergenerational

  • Family / Friends as Family

  • Friendship

  • District of Columbia

  • Distant Family

  • Gender Expression / Gender Queer / Gender Identity / Gender /

  • Sexism

  • Grief / Healing with grief

  • Health / Health Care / Illness /

  • LGBTQIA2S+

  • Race / Ethnicity / Racism

  • African American

  • Multi-Racial Latina / Latine

Left to Right: María Fernanda, JP Howard, Nicole Shawan Junior presenting at The Rainbow Book Fair, the largest LGBTQ+ book event in the United States, held at The Lesbian, Gay, Bisexual & Transgender Community Center in New York City.